Saturday, February 16, 2013

IDL ENK interview of Flying dream


Date of interview: Feb 13, 2013
IDL Dream Yoga Interviewing Protocol
Joseph Dillard, LCSW., Ph.D.


What are three fundamental life issues that you are dealing with now in your life?
1.     communion with past
2.     communion in present
3.     communion with future

Tell me a dream you remember.  It can be an old one, a repetitive dream, a nightmare, or one that you’re sure you understand. 

Santa Monica (garage of new friends Russ and Patti Pratt)
18 Jan 66, 10:00 PM

Reoccurring flying. At my wife's (Betty) apt or home. Her mother lives there too. I've parked my motorcycle outside (all this not clear or distinct). There are abandoned concrete buildings nearby on the side and top of hills. I am in one. Suddenly there is much lurching. Seems like an earthquake.  I'm not frightened but powerless to move on my own from out of building. There are others in the building wondering what is going on. We just stick with it until we can get out of building. 

Out of building I feel a kind of "magnetic" pull in a single direction.  Am being pulled towards rolling hills, barren-looking hills.  People—in a stream of humanity--are being pulled backwards as if they are trying to fight the pull.  I face in the direction of the pull and start moving in its direction and soon find myself flying by having my hands out a little to the sides and turning them properly as a sort of rudder. It is a delicate movement of hands that controls my flight.  If I tip my hands too much too soon, I go too high too fast. 

Others—in a long river of humanity--are below me now.  I shout to try to gain their attention.  No one hears.  I am passing some up.  There are some telephone or power lines; I come in contact with a single strand.  I grab hold, but am not affected (hurt). (It is covered with black, frayed insulation). I turn a somersault over the wire. Now trying to stay as close to ground as possible. Not yet greatly skilled at this. Not afraid. Very curious and a little lonely.


Why do you think that you had this dream?

I had recently become homeless (as of mid-October 1965) and living temporarily in the Santa Monica garage of new friends Russ and Patti Pratt, whom I had met in late October at Big Sur Hot Springs (soon to become Esalen). Because of the intensity of that first meeting at the Hot Springs, Russ and Patti invited me to stay with them if I ever got to Los Angeles. I had begun having powerful spiritual experiences, beginning in June 1964, since the death of my father the previous May 1964. By September 1965 my wife Betty (as well as my mother) had become frightened at the changes in my behavior and interests and asked for divorce. I had left everything behind to enter a wilderness period beginning in the Santa Cruz Mountains.

During the week I spent in Santa Monica I “happened” to meet Orlando C. Williams (the Mormon patriarch who had pronounced a patriarchal blessing on my head at age 9 or 10, my mother being his recording secretary) on the sidewalk in Westwood. Of course Williams did not recognize me (now in my early 30s), but I recognized him. I stopped him to say, "Brother Williams, you don't recognize me but I recognize you. My mother Ruth Clawson Kregg was your secretary. The things that you predicted in my blessing are now coming to pass, but no one believes me." Williams' eyes lit up when he heard my mother's name and retorted, "Who are these unbelievers?!" As if it were a regular occurrence we went on our respective ways without further interaction. Also I’d just made the acquaintance of Ken Price on the phone, having learned he was on the board of editors of Dialogue: A Journal of Mormon Thought.

If this dream were playing at a theater, what name would be on the marquee? 

Struggling humanity

These are the characters in the dream, besides yourself…

Betty, Betty’s mother, apartment, motorcycle, several concrete buildings, tall smoke stack, barren hills, river of humanity, telephone or power lines, ground

If one character had something especially important to tell you, what would it be?

Barren hills

Now remember how as a child you liked to pretend you were a teacher or a doctor?  It’s easy and fun for you to imagine that you are this or that character in your dream and answer some questions I ask, saying the first thing that comes to your mind.  If you wait too long to answer, that’s not the character answering - that’s YOU trying to figure out the right thing to say!

Hills, are you a character in Eugene’s dream?

Yes

Hills, look out at the world from your perspective and tell us what you see... 

In the distance on one side are buildings and freeways and green; on the other side beyond me is a desert waste…

Hills, would you please tell me about yourself and what you are doing?

I am peacefully observing whatever comes over or around or through me

Hills, what do you like most about yourself? What are your strengths?

I am calm, silent, peaceful, observant.

Hills, what do you dislike most about yourself? Do you have weaknesses?  What are they?

Nothing to dislike 

Hills, what aspect of Eugene do you represent or most closely personify?

An eternal place. A witness

Hills, if you could be anywhere you wanted to be and take any form you desired, would you change?  If so, how?

No

(Continue, answering as the transformed object, if it chose to change.)
Hills, how would you score yourself 0-10, in each of the following six qualities: confidence, compassion, wisdom, acceptance, inner peace, and witnessing?  Why?

Confidence, 0-10. 10, I am what I am
                            
Compassion, 0-10. 0, nothing to be compassionate about.
                    
Wisdom, 0-10. 0, I make no judgments.
                                       
Acceptance, 0-10. 10, everything is as it is.
                            
Inner Peace, 0-10. 10, I am that I am
                   
Witnessing, 0-10. 10, that is what I do                

Hills, if you scored tens in all six of these qualities, would you be different?  If so, how?

Yes, I wouldn't be barren and would be concerned about sustaining life….

Hills, how would Eugene’s life be different if he/she naturally scored like you do in all six of these qualities all the time?

Without compassion and wisdom his life would not have meaning

Hills, if you could live _____’s life for him/her, how would you live it differently?

No

Hills, if you could live Eugene’s waking life for him/her today, would you handle Eugene’s three life issues differently?  If so, how?

No

Hills, what life issues would you focus on if you were in charge of Eugene’s life?

The same….

Hills, in what life situations would it be most beneficial for Eugene to imagine that he/she is you and act as you would? 

Only if he were away from society and by himself…  

Hills, do you do drama?  Do you get into playing the Victim, Persecutor, or Rescuer? If not, why not?

No, what for?

Hills, What is your secret for staying out of drama?

Detachment

Hills, you are imaginary. Why should Eugene pay attention to anything you say?

I represent an eternal place in him…

Hills, why do you think that you are in Eugene’s life? 

To remind him of an eternal place…  

Hills, how is Eugene most likely to ignore what you are saying to him/her?

He doesn't ignore me, but visits me frequently…

Hills, what would you recommend that he/she do about that?

Nothing to do about that…

Hills, why do you think Eugene had this dream?

To give him a peaceful, confident perspective and setting to observe his life the world around him  

Hills, why do you think (some dream event happened) or river of humanity) was in the dream?

To give Eugene perspective on and understanding of his life at particular period 

Hills, why should Eugene pay any attention to what you have said? Aren’t these just a projection of Eugene’s own wishes and projections?

I am an eternal reference point

Thank you, Hills! And now a couple questions for the person that dreamed you: 

What have you heard yourself say?

There is a peaceful, confident eternal place within me to go to when I want to get away from society and world activity  

If this experience were a wake-up call from your inner compass, what do you think it would be saying to you?

Learn to observe and witness without involvement…


Saturday, September 1, 2012

Experiencing the Creative Process



Creative Deep Listening (CDL) combines the CREEI process with Integral Deep Listening (IDL).

The CREEI process was invented in 1987 by Eugene Kovalenko in his role as engineering manager in the aerospace industry to deal with a severe problem in company morale.

IDL is a methodology developed by psychotherapist Dr. Joseph Dillard.

Thus CDL = CREEI + IDL.

Below is an exercise that will allow you to find meaning in any dream:

* First do a CREEI analysis of your dream by answering the Twelve Questions.  Be sure to take notice of any "aha" moments as you answer the questions, which can be answered simply by "yes", "no" or "uncertain".

* Determine the pattern of your dream.
 Is it 1) Transformative; 2) Motivational; 3) Anticipatory; or 4) Traumatic?

* For a dream scoring "Transformative" (which is rare), there is nothing to do but enjoy it. Let it enlighten, confirm and/or comfort you. This pattern typically has a teaching in it that is clear and you will likely never forget it, whatever the subsequent circumstances.


* For a dream scoring "Motivational", consider turning it into a poem of three stanzas using this approach:

First (objective) stanza. Describe your dream in a few words (the fewer the better), such that it scores exactly as the dream.

Second (subjective) stanza. No rules here. You can ask questions of the dream. You can complain about the dream. Anything will work as you begin to change the dream in any direction you want. Again, the fewer words, the better. You are heading for the final stanza, which is:

Third (transformative) stanza. Here is where the real work begins. Change the dream in your imagination such that those "no" or "uncertain" answers now become "yes". In other words, apply your imagination to make the reworked dream score "transformative" (or "confirming" and/or "comforting"). If you do this, you will change. This is one potent doorway to the creative process and it should give you a sense of satisfaction and resolution.

* For those dreams scoring "Anticipatory" we suggest paying special attention to the images. Something may be coming that you need to be ready for. Put your imagination to work and consider what you would do to turn this dream into a "transformative" pattern. Doing this will equip you to deal with anything in this dream that may eventually manifest in your outer reality.

* For those dreams scoring "Traumatic", we suggest seeking help carrying the burden it typically presents (such as a nightmare). A good place to begin is by incorporating Joseph Dillard's IDL interview.

 (click on images to enlarge)

1991 CREEI Institute brochure

Saturday, December 18, 2010

Ivan's Rescue

Event: 18 December 2010; Updated: 21 July 2011

On the night of December 17-18, 2010, I had a series of dreams, which followed my struggle to respond to LADDOF director Joseph Dillard's question about how I'd imagine a reverse divorce of the split between science and religion in Los Alamos.

I didn't get to bed before 3 a.m., but awoke at 0500 from the first dream where
 I'm alone driving a car in a tight cul-de-sac with other cars parked in it, so that it becomes so tight that I can't make the squeeze and the car's front rises up and is about to fall on one or more of those obstructing parked cars. I don't know what is going to happen next and begin weeping as I come awake.
                        CREEI score: +?+++-//--?/++?  (Anticipatory, traumatic)

An hour later I awake to the sound of a dream telephone--"a wakeup call"! 

                        CREEI score: +----?//++?/++?  (Anticipatory)

A half hour later
 I become aware that Ivan has come to give me support. He holds me around my waist as we go walking briskly up and down narrow passages. He then mentions a dream of mine from years ago. It is unclear which one it is, but if other family members had this dream then it is all the more important. 
The scene changes and I am alone, but aware that Ivan is now inside a nearby house with other young people enjoying their fellowship. Although now safe and out of trouble, I feel vulnerable and unsure of myself.
                        CREEI score: +?+?++//++?/+++  (Motivational)

Fifteen minutes after that I awoke from a dream
of a young woman who has been sent to comfort me. I do not know her name.
                        CREEI score: +?+-+?//+++/+++  (Anticipatory)

Dear 

Wednesday, August 18, 2010

Interviewing the Hippie Woman

Posted: 18 August 2010; Updated: 5 December 2011

The Braid


Note: Psychotherapist and personal friend Dr. Joseph Dillard interviewed me about this dream aboard the boat Indigo off the coast of Bimini in the Bahama Islands in mid-August 2010.

Joseph asks:
How do you get heard by those who value doctrine over love or justice?
How do you do drama without getting caught in the Drama Triangle? (Avoiding playing the roles of victim, rescuer or persecutor)

In this interview Eugene chose to interview a [dream] character that normally would supply useful objectivity: a building. But because it was a church building, it was soon found to be exclusivist and beyond reproach. Therefore, another character needed to be interviewed, but which one? It is interesting that while the church building was itself biased and close-minded, it was able and willing to recommend a character that was transformative for this dreamer: a large (not fat), aging former-hippie woman with a long blond braid.

What are fundamental life issues that you are dealing with now in your life?

1. Getting the Deep Democracy Open Forum project going in Los Alamos
2. Completing the reconciliation process with my family
3. Getting the RPK experiment up to date

Tell me a dream you remember. It can be an old one, a repetitive dream, a nightmare, or one that you’re sure you understand.
3 August 2010, 0330. I’m in the Los Alamos Ward of the Mormon Church with Dr. Ian Alexander, its bishop [like a parish priest].  We’re not in his office [which is where I have met him twice before on a one-on-one in real life], but out in the building. Lots of people moving around. One is a very large woman with a long, blond braid hanging down at the back of her head. I say to her, “I think you were a hippie in earlier years” and everyone laughs. I have a message for Bishop Ian: The two excommunications I have had from the Mormon Church were examples of “unrighteous dominion” and therefore the Lord does not recognize them. I am using church legal language to attempt to arrange a meeting on the matter with the local high council. My message is not only to see if the Church hierarchy will acknowledge this unrighteous dominion behavior, but also to extend that acknowledgement to set an example for the larger community of Los Alamos, the site of the origin of the Atomic Bomb. If this can be done, Los Alamos might be able to transform its awesome and corrupting legacy and set an example for the world in terms of transformation. I cannot tell if the bishop understands my message because he continues being interrupted by others as we talk. He looks at a man with a vacuum cleaner who is cleaning up after a church celebration and nods approval at the cleaning up.
Why do you think that you had this dream?

I have a project I am working on in Los Alamos called “The Los Alamos Deep Democracy Open Forum.” It uses physicist/psychologist Arnold Mindell’s well-tested model of deep democracy open forums and refers to historian Garry Wills’ recent book Bomb Power, which is a new rigorous history of the Manhattan Project. Bomb Power describes the on-going corrupting consequences of that urgent, world-changing project. The dream seems to talk about where I am and why I am in Los Alamos. If that’s a grand delusion, it’s grand indeed. But it makes sense to me and gives me an enormous amount of energy and motivation.

If it were playing at a theater, what name would be on the marquee?

“The Transformation of Los Alamos”

These are the characters in the dream, beside yourself…

Los Alamos Mormon Ward House, Bishop Ian Alexander, Hippie Woman, Vacuum Man, Rug, Debris on Rug, People milling about, Los Alamos community, the Bomb.

If one character had something especially important to tell you, what would it be?

Ward House

Los Alamos Mormon Ward House

(JD: Now remember how as a child you liked to pretend you were a teacher or a doctor? It’s easy and fun for you to imagine that you are this or that character in your dream and answer some questions I ask, saying the first thing that comes to your mind. If you wait too long to answer, that’s not the character answering - that’s YOU trying to figure out the right thing to say!)

Ward House, would you please tell me about yourself and what you are doing?

I have been built with the finest materials by inspired people to exact dimensions. I am very secure and well financed. In me is the Truth.

What do you like most about yourself? What are your strengths?

Security! Solidity, clarity, absoluteness, confidence.

What do you dislike most about yourself? Do you have weaknesses? What are they?

There is absolutely nothing I don’t like about myself! I have no weaknesses!

Ward House, you are in Eugene’s life experience, correct? He created you, right?

Yes and yes.


What aspect of Eugene do you represent or most closely personify?

I am his sense of very rigid clarity!

Ward House, it doesn’t sound like you are going to be able to give us much of a different perspective. Do you have a recommendation of a dream character we can interview that might be helpful?

The hippie woman!

Hippie Woman, would you please tell me about yourself and what you are doing?

I am so pleased that you ask! No one asks me much of anything because I am so big! In this place no one wants to think about wild people. I have a very wild past that I love; they don’t like to hear about it because it scares them. I love these people, and that’s why I am here. I understand their fears and I’ve been waiting for this interview.

What do you like most about yourself? What are your strengths?

I love people! I accept people for who and how they are, without condemnation, with compassion! That includes their fears!

What do you dislike most about yourself? Do you have weaknesses? What are they?

There was a time when I didn’t like myself. At this time I am so pleased with myself! I am grateful for being here! That I am this large! I am grateful that I see what I couldn’t see before! I see the fear and the rigidness, the arrogance, the blindness, and it’s OK. But that’s where the problem is.

Hippie Woman, you are in Eugene’s life experience, correct? He created you, right?

Yes.

 Hippie Woman, what aspect of Eugene do you represent or most closely personify?

His love for his people, his family, his friends, his love for those who hate him and fear him. He is feeling a deep desire that they know of his love and caring, but they don’t know of this and don’t know that they don’t know that they don’t know. He is expressing his gratitude for my being in his life among them. I have taken such a strong place.

Hippie Woman, if you could be anywhere you wanted to be and take any form you desired, would you change? If so, how?

No! I’m where I need to be! I am so moved that you have asked and that there are those that care.

Do you feel that Eugene is hearing you?

Yes! I am so happy to be truly heard!

(Continue, answering as the transformed object, if it chose to change.)

Hippie Woman, how would you score yourself 0-10, in confidence, compassion, wisdom, acceptance, peace of mind, and witnessing? Why?

Confidence: 10. I know who I am, warts and all!
Compassion: 10. I have been through a lot. I have learned to be compassionate. It’s not been easy.
Wisdom: 10. I can’t imagine it being less than ten. When I think of wisdom, I think of meaning, I think of seeing the connectedness of all creatures and images. I think of the meaning in trees, the ocean, the sky....It makes me smile! They are what they are. They all have a place. I celebrate that place!
Acceptance: 10. We are who we are! I love it!
Inner Peace: 10. I can’t think of anything less!
Witnessing: 10. I SEE (thank God!) a grandeur of being, a grandeur of beauty, of experience, a grandeur even of blindness and rigidity. It all has its place in life!

How would Eugene’s life be different if he naturally scored like you do in all six of these qualities all the time?

He wouldn’t need to react to anyone! He reacts a lot, now. He reacts a lot to the Ward House, to the leadership that inhabits and produced that building, that claims that building. He’s still in reaction to a lot of that and demanding. If he were like me he wouldn’t need to be that demanding.

How would that change his life?

He would probably dis-identify with that part of himself that is standing on top of the wall crying “repentance.” He would be joking, loving, accepting. He would just be there, wherever he was with understanding, without demands. Patient!

If you could live Eugene’s life for him, how would you live it differently?

With more patience, compassion, without demands, with humor!

If you could live Eugene’s waking life for him today, would you handle his three life issues differently? If so, how?

a. You have given him some ideas about how to bring about the Los Alamos Deep Democracy Open Forum.
b. Follow through with his remote psychokinesis experiment.
c. Bring into completion his reconciliation process with his children.

What three life issues would you focus on if you were in charge of Eugene’s life?

The open forum is the one I am here for, to give him a different perspective. He is challenging, but not demanding of this new Mormon leadership to bring him in front of the high council and present to them an idea that seems to be timely, that this place of Los Alamos has an opportunity to take advantage of. This gives him a new approach that he hasn't considered before.

[This brings to mind an event that occurred years ago on May 21, 1972, in the very Mormon church building where Eugene was first excommunicated (in absentia 7 years earlier). He had just come out of the “forest” where he had been for seven years and looked like a hippy. A week or two earlier he had received a telephone call in Portland from the man (Robert Perine) who had been the Laguna Ward bishop who had taken charges out against him all those years ago, whom he had not seen since. RP had learned where Eugene was from his family and had called to ask forgiveness for not understanding or listening to him back then. He confessed to Eugene that exactly three years from the date that he took out those charges against Eugene over seven years earlier, he himself was excommunicated for precisely the charges he made. He asked forgiveness and they immediately reconciled. Even though RP never returned to the Mormon Church, in his will he stipulated that Eugene be asked to sing at his funeral a song he had composed for Eugene’s voice, called “Hope”. His widow found this request in the will and flew Eugene to Newport Beach just to sing this song.]

Shortly after RP’s call, Eugene had driven down from Portland to sing at his 16-year-old daughter’s Mormon Ward in Newport Beach at her request, since she had been given the ward assignment to arrange the music for the meeting—a ward conference. [This meant that some members of the original high council that had excommunicated him would be there.] Eugene chose to sing a Negro spiritual, dressed in purple hippy clothes with long hair. After his singing the bishop was so moved that he could not speak for a long time. Shortly after Eugene left the building he began to be nagged by a weird idea about Joseph Smith. Strange as it seemed, he looked up the birth and death dates of Joseph Smith and added the age of Smith at death to Eugene’s birth date only to be surprised to discover that the date was that very day! (May 21, 1972). This shook him greatly and he began to wonder if the Holy Spirit was telling him he should return to the Mormon Church.]

In what life situations would it be most beneficial for Eugene to imagine that he is you and act as you would?

In virtually all life situations. That’s the personality he needs to carry with him in all life situations!

Hippie Woman, do you do drama? If not, why not?

Yes, but with pleasure, without anxiety, without worry. It’s fun, it brings color, it brings humor. It brings life! I can’t imagine life without drama! It would be silly!

Do you play the victim?

I can play it, but I’m not it!

Do you play the rescuer?

I can do that with great fake self-righteousness!

Do you play the persecutor!

I can do it very well! There’s a Hitler in me - a small potatoes!

What is your secret for staying out of drama?

Detachment! I can easily detach!

Why do you think that you are in Eugene’s life?

He needs me! He has forgotten me! I am there for him! He now sees me! That’s why I am so big. He has avoided seeing me before!

How is Eugene most likely to ignore what you are saying to him?

If he were a fool he would ignore me. He doesn’t want to be a fool. Actually, he IS a fool! He has been very proud of it before. Maybe he’s not so proud of it now!

What would you recommend that he do about that?

Remember the braid! (This is in contrast to a large long haired blond woman in Eugene's dream of 21 September 1965 about celebrating “the beginning of the recrystallization of the church”.)

I think Eugene had this dream because:

To get him focused at a new reference point. A new view of what he can bring to the table in his conversations with the Mormon community. It means a humanity to him that he hasn’t been so conscious of before, that he hasn’t allowed himself to be aware of, that he has been too proud to be aware of ! That he hasn’t felt was necessary before! He has been so stupid before!

I think this dream event happened or (some character) was in the dream because...

The man with the vacuum cleaner is cleaning up trivial stuff that’s what the Bishop is valuing now. He’s seeing trivial stuff getting taken care of. He doesn’t see the big picture. He’s young, well-intended, a medical doctor, just beginning his practice. He’s very confident and open and aware of being inexperienced. He’s trying to do a good job, but it’s all new to him. He has no idea of what’s coming.

Eugene, what have you heard yourself say?

That my experience and view of the Mormon Church is that the institution is rigid and insecure. It is self-contained and doesn't see the need of any outside influence. But there is a presence within it in the form of a liberated and liberating female that is very much aware of what is and what isn’t, who is there in a loving way despite that institutional self-sufficiency and spiritual conceit. The large woman part of myself has been through the woods, the ravine, the wars and survived them and thrived in spite of all this and achieved a sense of peace and wisdom and centeredness. She is good humored and doesn’t preach or attack. I’m in Los Alamos for more than just by happenstance.

If this experience were a wake-up call from the most central part of who you are, what do you think it would be saying to you?

I don’t need to be anxious or sweat consequences. Feel humor, be caring, love church authorities, family, colleagues. There isn’t anything other than that to concentrate on. As Rene Gerard once said: the first fear of two fears experienced by ecclesiastical institutions is generally “the fear of defilement”; the second is “the fear of insufficient love”, i.e., not loving well enough. That’s the fear experienced by the saints of old. If one must fear, that’s the fear to embrace—not the first kind.

Joseph Dillard sent the quote below at the end this formal interview, which I like:
Believe nothing just because a so-called wise person said it.Believe nothing just because a belief is generally held.Believe nothing just because it is said in ancient books.Believe nothing just because it is said to be of divine origin.Believe nothing just because someone else believes it.Believe only what you yourself test and judge to be true.
Buddha

Thursday, September 9, 1976

UCLA Dream Course 1976


In January 1976, I awoke as a clear commanding male dream voice said to me: "It is time to wake up and begin a grace-filled ministry!"

Believing the voice divine, I took the command seriously and wondered how to obey it.

Two weeks earlier I had met and sung for the Reverend "Brother Taylor", the black charismatic pastor of the Greater Grace Memorial Church of God in Christ in south central Los Angeles (Watts). "Brother" was the first black man I had ever met, since my first traumatic encounter more than 20 years earlier with a black soldier in the Army, who had beaten me up. When I mentioned this "grace-filled ministry" dream to "Brother", he also took it seriously and felt it was meant for him and his "Greater Grace Memorial Church". Six weeks earlier he had hired me on the spot to sing Negro Spirituals on his regular Sunday radio broadcasts for several months.

The night before Brother and I met those six weeks earlier, another dream prepared me to speak to and sing for him. I call it "Tenacious Black Boy":

A small black boy grabs hold of my right leg without making a sound. I am alarmed at what seems to me the boy's presumption and try vigorously to peel him off my leg with the heel of my right hand pushing against his forehead. But the boy is strong and tenacious and will not let go. As I continue struggling to free myself, I suddenly see through my lifetime of racial prejudicial attitudes from my Mormon upbringing and realize that I am being strongly embraced--not attacked--by a determined, needy child! With that realization a new compassion sweeps over me and I reach down to take the boy gently into my arms. Silently he allows me to lift him up as I, too, stand up. This is all that the boy has wanted and, still silent, he smiles broadly as I hold him in a close embrace and awaken.

While pondering what this "Tenacious black boy" dream, along with Brother Taylor's "Greater Grace Memorial Church of God in Christ" invitation and the "grace-filled ministry" dream meant to me personally, I was invited by Dr. Robert Rees, director of UCLA Extension Division, to teach something for the university. When I suggested developing an experimental class on dreams, he asked for a prospectus. This became the course called "Creative Dreaming and Spiritual Awakening".